Friday, July 10, 2015

The Ancient Kingdoms Of The Nile and the doomed monuments of Nubia


Walter A. Fairservis Jr.
New American Library
United States of America
Third Edition
1962
ASIN: B008BOHW9l

    'It has been over a year since the first major appeal was made by UNESCO for concrete help in saving the monuments of Nubia from the waters which are bound to engulf them when the new dam, Sadd-el-Aali, is built. In that time scholars, institutions, and many private organizations have responded nobly to the challenge. At this time the valley of the Nile is alive with archaeological enterprise as men face up to what is, in reality, an overwhelming task: several dozen major temples to save, thousands of inscriptions and graffiti to record, untold numbers of cemeteries, town mounds, and crumbled churches to excavate, acres to map archaeologically.'


Mr. Fairservis opens his book with a geological view of the world's evolution, with particular attention paid to Africa. As he journeys down the great river through forbidding landscapes in some places chocked with grasses, where tribes can graze their cattle. Places where the mighty Nile thins out into marshes, and of which many past explorers have become stuck and died.


Places where men like Sir Samuel Baker, an important mid-nineteenth century visitor who recorded in his diary many agonizing months with his party cutting their way through the mud and weeds so that they could pull the boats forward a couple of hundred yards in a day, if lucky. Having left the marshes, the river becomes navigable again as it heads north to parched desert regions that receive little water till the White Nile meets up with the greater Blue Nile.


The author moves on to the climactic changes that have affected the world and the evolution of its creatures. The carving out of the Nile valley over endless years produced a series of plateaus. In the latter, where prehistoric tools can be found with proper context, these can show the development of the forms used and improved upon.


     'In 1924, the English Governor of Fung province in the Sudan had his house near the Blue Nile at Singa. He found in the river bed a fossilized human skull, which is now generally accepted as representing a proto-Bushman. Not directly associated with this skull, but deriving from strata of apparently equivalent age, some thirty miles away (Abu Hugar) is a body of stone tools collected by Arkell. These tools, though primitive, are not as old as the handaxe-pebble tool industries but seem to be related to one of the aspects of the Levalloisian flake tool tradition.'


The approach of Mr. Fairservis, which has brought to his book at times, is deeply intellectual, which may not be a good thing for the young, as well as those escapist readers looking for romance. Here, the author presents what is to be lost of the millions of years of evolution and the early development of civilization in this region of the great North African people and the cultures they left strewn about the landscape.


For me, this is a brilliantly refreshing look at what has long been lost to Lake Nasser, including the mud brick four-thousand-year-old Middle Kingdom forts which secured Egypt's interests, controlling the goods of Nubia for Egypt. The exploration of these forts became of immediate interest to men like the late great Egyptologist Walter B. Emery, whose excavations brought to light papyrus documents at Buhen.


     'Of great future interest are the torn-up papyri found under the stairway of the so-called Commander's house, which are apparently dispatches to Buhen from Egypt. The potential of the Buhen excavations, because of the well-preserved ruins, is enormous if these finds of papyri are in any way indicative of what is to come. One shudders to think what will be lost if these fortress towns are not thoroughly excavated before the final floods which extinguish them.'


There are a few sections of black and white photographs displaying artifacts and paintings that highlight the author's points. One of my favorites is a piece of art created by G. A. Hoskins in 1833 of the ruins of a fortress at Semna. We recount the glories of the Middle Kingdom, made possible partly by the reclamation of the fertile Fayum depression and the effective governing of Nubia, inclusive of its resources, by Egyptian nobles using cruel and traditional local methods.


Soon, the power of the great kings of the Middle Kingdom passes into feuding local nomarchs who divide the two lands among themselves. This leaves a weakened state vulnerable to a gradual takeover by nomads from the north known as the Hyksos. These kings dominated Lower and Middle Egypt, though the princes of Thebes maintained control of Upper Egypt.


It is the princes of Egypt's Seventeenth Dynasty that challenge the Hyksos King Apophis, with the last two of the Theban princes dying before Ahmosis conquered the Hyksos, driving them from Egypt and establishing the Eighteenth Dynasty and the period of the New Kingdom. The kings of this dynasty were warriors who kept expanding the borders to the north and south, with King Thutmosis III bringing the Egyptian empire to its greatest extent, supplying the king, the priests of Amun, and the nobility with enormous foreign tribute.


This pre-eminent family of rulers finally comes apart with the heretic king Akhenaton, who rejects the old pantheon of gods for a solar deity called the Aton. This king leaves Thebes for a site in Middle Egypt where he neglects his duty of pacifying the Border States, and in a little over a decade, slowly the empire of Thutmosis III falls away. When Akhenaton's reign ends, it is the boy King Tutankhamun who restores the temples of the old gods and moves his court to Memphis.


At Tutankhamun's death, the noble line of Thutmoside kings comes to an end, bringing an old man, quickly followed by the general Horemhab, to the throne to rule Egypt and install the Nineteenth Dynasty kings. The first three pharaohs of this dynasty brought back some of the lost glory, with the great Pharaoh Ramses II spending most of the dynasty sitting on the throne. Mr. Fairservis writes about the structures built by these kings and, in particular, the monuments of Nubia that will be swallowed by water when the Aswan Dam is completed.


     'The cliff temple of Derr is the fourth of those erected by Ramses in order from Elephantine (the First Catarac). Badly ruined, the structures that lay before the cliff entrance have now largely disappeared.'  'This temple was dedicated to the sun-god Re but there are numerous ruined reliefs depicting the usual wars of Ramses. The temple is apparently doomed, as its ruined condition precludes wholesale salvage, though portions of the reliefs will undoubtedly be removed.'


Of the fourteen temples in the path of the rising water, it is the temples of Abu Simbel that are deemed the top priority in saving. Two plans are in the works for these temples, which include either a coffer dam with a one-hundred-foot wall to close off the bay containing the temples or to cut them into blocks and raise them block by block to higher ground.


A series of mostly short-reigning and ineffective rulers brings the period of the empire to an end, once more dividing power between rulers for Upper Egypt and others in Lower Egypt, both claiming to rule both lands. Egypt is now occupied by both native and foreign rulers, who, although occupiers, respect and continue to revere Egyptian traditions. The Kingdom of Kush rose from the south as an already Egyptianized people whose rulers made up Egypt's Twenty-Fifth Dynasty.


The next several hundred years are spent repelling the Persians and being subject to Persian dynasties until Alexander the Great won control of Egypt. Alexander's general, Ptolemy Soter, declared himself pharaoh of Egypt and founded the Ptolemaic Dynasty. The Ptolemaic pharaohs ruled as Greeks from Alexandria but again respected Egyptian customs and were prolific restorers and builders of temples.


These temples are among the best surviving monuments of the ancient world and include the temple of Edfu, arguably the best preserved, but also temples at Dendera. Kom Ombo as well as Esna. The author's concern turns to the island of Philae, where Ptolemaic rulers followed the tradition started by the Thirtieth Dynasty King Nectanebo II by adding to the structures on the island, building a temple to Isis. The death of Cleopatra brought an end to the Ptolemies. Roman Emperors that followed added to the various temples, including the Kiosk built by Trajan, known today as "The Pharaoh's Bed".


Mr. Fairservis is dismayed by the flooding that occurred before the building of the high dam took place between December and August, when the island and much of its temples sank beneath the waters of the Nile. These regular events have left the monuments doomed if the funds to save the sacred buildings are not to be found.


In the seventh century of the common era, after the fall of the Roman Empire, Islam swept through Egypt and the Sudan, converting the Christian population and destroying their churches. This situation remained until the beginning of the nineteenth century, when England wrestled control of Egypt from the French.


The Sudan had always been treacherous for Europeans to control, including a Mahdist uprising in the 1880s to the early 1890's which culminated in the death of the Governor-General of Sudan by the Mahdi. The author finishes his book with a recall of the efforts to record and retrieve the archaeology when the dam was erected in 1902 and raised a number of times over the twentieth century.



I thoroughly enjoyed this book, though not for the young; the reader will find themselves a fascinating history that has been told of a time when modernization left Nubia's monuments to the mercy of economics, time, and the great waters of the Nile. Today, many of these sites are now lost and forgotten beneath the dam’s lake, but the rescue of much material will for years have value to archaeologists in the study. Still yet many of the great temples stand on dry ground, commemorating not only the ancient pharaohs who ordered them but the mass of humanity from all over the world who came together to rescue the monuments of Nubia.

Saturday, June 27, 2015

EGYPTIAN ART


Francesco Abbate
Translation-
H.A. Fields
Octopus Books
London
1972
ISBN: 7064 0062 3

   This originally named book contains sporadic text, but it appears the content of the book is mostly colored, full-page photographs of Egyptian art. The lovely small volume immediately appears child-friendly and, for the most part, can be read in a day or two.


The author begins with a description of the values the ancient Egyptians put on art, being given magical properties, whether in funerary material, temple situations, or as personal adornment, art had a purpose. Soon, I come to the first set of photographs, with these being images of a number of schist palettes from the Predynastic and Thinite periods leading up to the Old Kingdom, complete with descriptions of the objects presented.


Our author explains the standardization of the arts early on in Egyptian history to serve as a model for the needs of the king and his people. The author recounts the story of the recovery of a book written by the god of wisdom, Toth, from the tomb of a magician near Memphis. Indeed, the prince found the book as told in the tomb, which, instead of being dark, was as light as day from the glow of the book.


There follows a conversation between the deceased man and the prince in which the prince wants to take the book, but can only do so if he wins a contest in performing magic. The frequently passing photographs are an excellent assortment of masterpieces from a number of museums. These include a two-page photo of the famous diorite statue of King Chephren.


The Old Kingdom tombs of Ti and Mererukas are certainly two of the finest of the period, with their raised reliefs of the good life. Two photos are of a pillar in the small temple at Karnak built by the Middle Kingdom King Sesostris I. The magnificent reliefs demonstrate the mastery of relief carving in the beautiful little temple.


     'The nobles are full of misery and the low classes are full of joy...gold, lapis-lazuli, silver and turquoises, hang on the necks of slave-women while ladies walk the streets in rags...He who once did not even possess sandals, today is the master of treasure.'


The Middle Kingdom was a period of soulful thought in the reunification after the turmoil of the First Intermediate Period. The king was no longer a god, as in the Old Kingdom, but a man who must bear the responsibility for the well-being of his people. Our author is very knowledgeable and, in a few pages, is able to give a fairly substantial account of the history of ancient Egypt.


A variety of photographs depict some very famous royal statues, frescoes, and art of the New Kingdom. The depictions display rulers who are now confident warriors expanding the empire to its greatest extent under Thutmosis III. These victories bring spoils back to Egypt, allowing for a prosperous population while making the priests of Ammon exceedingly rich.


Each ruler of the New Kingdom tried to outdo his predecessor's accomplishments in their contribution to the building of temples, shrines, and, of course, the king's tombs in the Valley of the Kings. The stage changes and a series of works of the Amarna period are put forth to the reader. As Iknaton's religious reforms involved only the king and royal family, no connection was made by the god to the average Egyptian. This left no followers, and Iknaton's religious reforms were soon forgotten after the king's death.


Tutankhamen and his officials, who were giving guidance to the boy king, saw that Iknaton's capital at El Amarna was distant from the seats of power, so the king moved his court to Memphis and returned to the worship of Ammon, ending the heresy of his predecessor. The book includes a nice picture of a colossal statue of Ramses II from the now lost temple of Gerf Hussein, which today lies at the bottom of Lake Nasser.


After the grandeur of the New Kingdom, a period of decline existed where the two lands were ruled by foreign kings. Libyan dynasties gave way to Ethiopian kings who reversed the age-old role of Egyptian domination over the southern neighbor. In turn, the Persian kings took over Egypt as an outpost of their empire under Nebuchadnezzar, whose army had overthrown the Pharaoh Necho.


With the arrival of Alexander the Great, the Egyptian traditions were respected, though the Egyptian people had now become second-class citizens under the rule of the Ptolemaic Dynasty. With the death of Cleopatra VII, Rome took control of Egypt, reducing its status to provincialism.


I have very much enjoyed this book, and though not complex, the author managed to lay down a good account of Egyptian history. The 103 photographs presented many exceptional pieces, with a number of these artifacts being new to me. Between the text and the choice of objects, I am impressed and would have no hesitation giving this volume to a young person.


     'Death presents itself to me like the aroma of myrrh, as when one is sailing on a windy day. Death presents itself to me like the scent of lotus flowers, as when one is sitting on the edge of intoxication. Death presents itself to me like a familiar road, as when one returns from war to one's own home...'

Wednesday, June 17, 2015

Ancient Egypt As It Was


Charlotte Booth
Quid Publishing
2008
ISBN: 978-0-7627-7058-8

Here we have an imaginative concept as a tourist guide to Thebes in 1200 BC. The guide opens with a historical rundown of Egyptian history leading up to the early descendants of Rameses II and the holy city of Thebes. The author deals briefly with Egypt's unification at the dawn of dynastic history. The reader is introduced to a number of important deities and a quick layout of the cultural development of the Egyptian civilization through time.

The brief sections that the pages are divided into are informative, especially the nomes of Egypt which are rarely represented in publications. The author deals with the nuances of the societal structure of the age, including status and the division of wealth. The ancient Egyptian lady was not subservient to men but could possess assets and estates and could even loan money to her husband, unlike in many other cultures.

In the second chapter, the guide moves to the noisy city of Thebes, which can be as noisy at night as during the day. Several small maps give the landmarks to the Theban zone, including the temple at Karnak and its numerous subsidiary temples dedicated to several other gods besides Amun, the temple of Karnak's central god. Ms. Booth guides the reader around the Luxor temple as well as the temples and shrines at Deir el Bahri, except for Hatshepsut's.

Interesting are the concepts of situations presented to the ancient visitor, which include the 100-year-old ruins of the flooded mortuary temple of Amenhotep III that, in its already abandoned state, can be visited throughout, including the sacred spaces no longer occupied by the king's mortuary priests. Of the Chapel of the White Queen, the author says;

     "The chapel as it stands was built by the heretic king, but was strangely enough not destroyed with the others from his reign, although certain elements can be dated to the earlier reign of Amenhotep Akheppere, and some kitchen buildings still produce food for the festivals on the west bank.

Although abandoned after the reign of the heretic king, it has since been added on by Ramses, and the enclosure wall of his mortuary temple abuts its western wall."

The author makes the statement that most of the tombs in the Valley of the Kings are in the western valley, when in reality they are in the eastern valley. It is at this point that the book loses some of its effect as the author describes sites, including the royal necropolises and the contents of those tombs that would absolutely not have been on the tourist's path in 1200 BC.

The reader is next guided to the sites around Egypt outside the Theban zone to Mennefer, Pr-Ramese, and the Temple of Ra at Iunu. The vignettes the book is broken into allow for little flow in the text, creating lots of little points of interest but no connective storyline. Having laid out the tourist landscape, Ms. Booth presents native customs of entertainment depending on your budget.

There is a lot to do, including jumping, playing games, hunting hungry hippos, or whacking birds on the head with a stick, or better yet, just go back to bed. Thankfully, the Egyptian calendar was full of festivals for the public to participate in. Ms. Booth lays down how to, and what to buy, while at Thebes, but recommends that blank rolls of papyrus make for an excellent light currency to pay for goods.

The reader is informed of various words and phrases to help communicate with the locals, including dealing with health issues should the visitor experience illness while traveling. The guide ends with a section on references and resources for the reader to follow up on the subject.

I found the book's concept interesting from the start and was filled with many tidbits that one would not normally find. It must be noted that the choppy nature of the book's various elements removed all flow, resulting in the book being slightly tedious and boring.

The lack of colored photos might also make this book less appealing to many readers, including younger readers. "Ancient Egypt As It Was" is not a book to rush out to get, and certainly nothing I will revisit in the future.

Monday, June 1, 2015

Mountains of the Pharaohs

Zahi Hawass
Random House
United States of America
2006
ISBN-13: 978-0-385-50305-1
First Edition

This nicely sized book by Zahi Hawass begins with an introduction to the history of the Giza plateau, with King Khufu and his architect Hemiunu choosing the place for the king's pyramid. A couple of generations later, the plateau was essentially finished as the royal burial ground of the Fourth Dynasty. The incredible monuments had begun their fame that would draw visitors throughout the rest of history, including a group of imaginative types who believed they were created so that the English race could read the mystery in the measurements of their construction.



This amazing dynasty began with Khufu's father, King Sneferu, and the building of his pyramid at Meidum, which today looks more like a giant pillar than a pyramid. Sneferu gained the reputation of having been a wise king who went on to build more pyramids, including the first true pyramid, later on at Dashur and the Bent Pyramid at that same site.



     'A very strange discovery was made by English archaeologist John Perring and Richard Howard Vyse as they explored this pyramid in the late 1830s. Their workmen were clearing the interior passages and suffering greatly because of the intense heat. On October 15, 1839, they opened a tunnel that led to one of the interior chambers. Suddenly, they were greeted by a refreshing draft of cool air, so strong that it blew out their torches. The wind continued for two days, and then stopped as suddenly as it had started, leaving the archaeologists completely mystified as to its source.'



The chapters are short and almost completely void of pictures except for a small group of colored photographs near the middle of the book. With the death of Snefuru, his son Khufu mounts the throne and moves his court to Giza, where his pyramid was to be built, but first his palace and administration buildings had to be built, including a canal dug to receive ships that will bring supply's needed in the building and the leveling off of the site to begin the foundation of the pyramid.



The pyramid rose quickly as Khufu's court settled down to the king's business from Aswan to Giza to Heliopolis. In reality, the king's court was as much a bureaucracy as the king's extended family of cousins, aunts, uncles, and grandchildren to the king's crown prince. Not helpful to archaeologists today is the number of these royals who bore the same name or names similar. So far, I am enjoying this read and find it suitable for a teen, though the lack of pictures might be a turn off; even so, the book is likely to be enjoyed by readers far above those young Egyptian enthusiasts.



After a successful reign of Khufu, he dies, leaving his heir, Djedefre, to make the final arrangements for his father's mortuary needs, including the sealing of boats in the boat pits dug for that purpose. With Khufu's passing, Djedefre chose a high plateau at Abu Rawash overlooking his father's pyramid to build his own pyramid and mortuary complex. The site at Abu Rawash has been particularly badly damaged, with the king's statues being smashed with what may have been vengeance, and the site quarried away for stones to build other projects up to modern times.



The intrigues of this dynasty follow the death of Khufu and have created imaginative scenarios in the minds of past explorers. In Khafre's mortuary complex, we find one of the few well-preserved Old Kingdom funerary temples decorated with many statues of the king, of which one is likely the great masterpiece in royal statuary of the Old Kingdom. Arriving at the photographs, the reader finds a bonnie lot of sixteen images, mostly of the pyramids mentioned.



      'The relationships between Khafre's pyramid temples and the Sphinx temple also link the Sphinx to Khafre: Khafre's valley temple sits on the same rock-cut terrace as the Sphinx temple. The fronts and backs of the temples are nearly aligned, and the walls of both are built in the same style of large limestone blocks with harder red granite added as a finish. And there is evidence that these limestone blocks were quarried from the Sphinx ditch itself.



The author goes on to explain the personalities of Khafre's court and their respective burial houses at Giza. A fascinating read if I can keep straight the queens all bearing identical names and who is next in line of an uncertain succession. The death of Khafre (perhaps before any of his queens) may have left a void in this succession, with the king's heir Menkaure too young to rule, so that Khafre's brothers may in turn have held the post briefly before Menkaure was able to rule.



In this king's pyramid, we find the smallest of the three king's pyramids at Giza, but built with costlier materials, including a granite casing for at least some of the pyramid and many of the Old Kingdom's finest statues of the ruler with the goddess Hathor and nome gods of Upper Egypt. When the king flew to heaven, his successor, Shepseskaf, completed Menkaure's mortuary complex in cheaper materials like mud brick.



In the next section, the author deals with the modern discoveries of the city of the pyramid builders and their mostly mud brick tombs to the south of the pyramids. These discoveries, while slightly mundane, introduce the reader to the sympathetic standard of living endured by the builders as not slaves being brutally beaten but to fellow men and women in joint causes to the betterment of the king and well-being of his people.



In the end, the house of the Fourth Dynasty passes to the kings of the Fifth Dynasty, who move their palaces and burial structures to Abusir, leaving Giza to be abandoned, vandalized, and quarried. The statues of the kings in the mortuary temples were smashed to create funerary offerings for lesser burials at the end of the Old Kingdom.



Zahi Hawass has created in this document a specific and understandable format of the family of King Snefuru and his descendants. Particularly those members of his family who created the monuments on the Giza plateau, including the Great Pyramid. I have really only one complaint, in that the book could have used a map to demonstrate the sites at Giza being put forward. Mountains of Pharaohs would make an excellent and uniquely informative gift to anyone interested in ancient Egypt or Pyramids.