Thursday, July 17, 2014
The Sale of Sekhemka
This statue of Sekhemka and his wife from the Old Kingdom's 5th Dynasty 2300 B.C. was a gift from a sultan at the end of the 18th century. The statue has been the museums centerpiece since 1849, certainly the sale of this piece is significant as Northampton will never get another one.
Egypt's antiquities service made its efforts in retrieving it but with no argument the most they can hope for is that they bought it or that it will be gifted to them. Now that the statue has been sold for L16 million the non-issue of the responsibilities of museums should die down.
Museums are about making money and then learning, you have to pay for the books. True the city of Northampton have sold off a treasure but hey L16 million, departing has never been so sweet.
Notes:
Al Ahram
Saturday, July 12, 2014
Still Seeking Amenia?
This is a statue of the last king of Egypt's ancient 18th Dynasty Horemheb from his Saqqara tomb seated next to his likely first wife Amenia and sadly this is what it looks like today in Luxor.
The Egyptian Supreme Council of Antiquities has a number of objects they are looking for beside Amenia including 38 gold mainly Greco-Roman bracelets stolen since the 1970's.
The Egyptian Supreme Council of Antiquities
Top photo: (from Martin, The Hidden Tombs of Memphis)
Bottom photo: Luxor Museum
Saturday, July 5, 2014
The Lost Pharaohs
Leonard Cottrell
Pan Books LTD
London
1950, Sixth Printing 1969
ASIN: BOO2LTAG98
In writing this book, the author had the good graces of important men in Egyptology, including Sir Alan Gardiner and the Chief Inspector of Antiquities for Upper Egypt, Zakaria Goneim. This said, Mr. Cottrell admits he is not an expert in Egyptology but rather writing this history on the backs of learned publications.
The book opens with the usual description of Egypt's environment and how its people's culture in the fields of agriculture, writing, religion, and art evolved through the early standardization of forms. For these first dynasties, uniting the two kingdoms brought together a pantheon of local deities likely as confusing to the people of those times as they are today.
Writing fast developed during this period, while the arts by the 4th Dynasty reached a beauty of austere lines perhaps never rivaled again in Egypt's long history. Mr. Cottrell presents a rough review of the civilization's history presented accordingly to Manetho's dynastic layout.
Great attention must be paid by the reader, as the book is nearly 65 years old, and some of its elements are slightly off, as is to be expected. In the second chapter, the reader is onto the arrival of Egyptologists and the discovery of the Rosetta stone, which, once translated, opened an entirely new view of the world of the ancient morbid populace.
At about the same time, the hieroglyphics were being translated, so too was the cuneiform script, which became the diplomatic language of Mesopotamia and Egypt. These discoveries, along with libraries of cuneiform tablets, have complemented and verified many hieroglyphic texts.
"After the Treaty of Vienna every progressive government felt it a duty to amass old objects, and to exhibit a fraction of them in a museum, which was occasionally free. "National possessions" they were now called, and it was important that they should outnumber the objects possessed by other nations" E. M. Forster
It is an interesting approach taken now by the author as he reveals some of the fascinating archaeological discoveries made in the 19th century, which have pushed the knowledge of Egypt back in time, with each discovery filling in the missing periods and, in particular, the early dynastic period. While still treasure hunters occupied and were allowed to dig sites, with perhaps the greatest destruction of an important archaeological site being the tombs of the kings of Dynasties 1 and 2 at Abydos which the treasure hunter who had the rights to the site stole everything of value he could sell in Paris and having his workers smash objects he did not want.
The reader is now presented with the development of the pyramids from a great mastaba to the stacking of smaller mastabas on top of larger ones, creating steps to the straight-sided pyramids of the 4th Dynasty. The author is continuously quoting the most important of Egyptologists for his era whom he appears well acquainted.
Mr. Cottrell puts forward the subterranean structures of some of the pyramids, including the galleries of Djoser's step pyramid, but perhaps most interesting is the author's own journey through the corridors and chambers of the Bent Pyramid.
"Down, down we went, watching the receding square of sunlight getting smaller and smaller until we reached the bottom. We found ourselves standing on the floor of a lofty hall about 20 feet square and soaring upwards to a height of 80 feet." Up the center of this chamber, the excavators had fixed a series of vertical ladders lashed to flimsy scaffolding." "80 feet above the floor, Abdessalam, (1), pointed to a hole cut in the wall. This was the entrance to a horizontal gallery about two feet square. Along this, we wriggled on our stomachs, noting at one point the words 'discovered 1837' left by archaeologist Perring 100 years ago.
"At last, we could stand upright. It was very hot in the heart of the pyramid. As we paused to recover breath, we saw that we were standing below the entrance to another pyramid chamber, but this one was not so high. With the help of the Arab workers, we have hauled up an almost vertical wall and arrived, very hot and dusty, on the floor of the upper chamber. At a sign from the Director, the Arabs held up their lamps and we could see that the ceiling of this room, unlike that of the lower chamber, was rough and broken."
Great lumps of stone had fallen from it, no doubt due to the tremendous pressure of the masonry above, and some of the remaining blocks looked as if they might fall at any moment."
The following chapter on the building of the pyramids brought surprises, including an uncomfortable feeling I was getting about how much time Mr. Cottrell was devoting to the great pyramids' measurements. To my dismay, the author began spouting the old rabble about how the blocks of the pyramid were cut using bronze saws inset with sapphires and diamonds, even though no such device has ever been found.
Considering the estimated 2,300,000 blocks in the Great Pyramid alone, one should expect several diamonds or sapphires to become lost among the blocks or in the surrounding sands, and the quarries would be filled with gem fragments. To my own understanding, no such gem has ever been found about the building of any of Egypt's pyramids.
After departing from this nonsense, the author is onto those men who found their way into the pyramids in modern times. The story of the discovery of the artifacts belonging to King Cheops' mother, which were found intact minus the queen's mummy by the Harvard/ Boston expedition, is retold.
The reader is next onto the city of Thebes with its illustrious temples bearing columns a dozen feet thick rising 100 feet above the floor. Mr. Cottrell lingers for a minute on the rich, leisurely ladies and gentlemen of a past era, and the trade of the day.
"Instead, an occasional American couple is hurrying down the steps of the Winter Palace with sun hats, cameras, and a gaggle of long-legged daughters. Here and there, a bored Pasha from Cairo fails to conceal an indifference to antiquity which he shares with most of his countrymen."
It is the Chief Inspector for Upper Egypt Zakaria Goneim who shows our author around and over to the city of the dead where we are recounted some of Giovanni Belzoni's experiences while Chief Inspector Goneim takes the author through a number of the finest tombs, including the tomb of the Mayor of Thebes Sennufer who's tombs ceiling is covered in grapevines.
A group of black and white pictures occupies the center of the book, with pictures that are pretty standard, though I am reading a paperback. The author turns now to the Valley of the Kings with a nice description of the descent into the tomb of Seti I, found by Belzoni in 1817.
It is these tombs of the kings that unlike the tombs of the noble class where scenes on the walls are of the good life the tomb owner wished to live on in the next world, instead, the decoration in the tombs of the kings contains no scenes of happy days but here we find all the spells needed for the well-being of the king and his place on the barque of Re on its journey across the heavens. The exception is the tomb of Ay, a commoner who became king, primarily to fill a void.
We are next onto the discoveries of the royal mummies in two of the Theban tombs, including a recount of the Amherst papyrus and the robberies and restorations of the royal mummies from tomb to tomb until it was found in DB320 and the tomb of Amenhotep II in the valley at the end of the nineteenth century. Having again read yet another telling of the discovery of the royal mummies, unfortunately, is too precious to pass over.
Passing this, we come into the retelling of the story of the tomb of Tutankhamun, oh joy, yet more-over-told events. Having blessedly passed that, the author is now on a journey to Tell el Amarna, the city of the Aten, where the heretic King Akhenaten took his court and where our guide is still being shown around by Chief Inspector Goneim.
While Mr. Cottrell is on his way, partly on the back of a donkey, he tells the story of Akhenaten and his beautiful Queen Nefertiti. Having visited the city, the author is now taken to the tombs of the nobles and on to the king's depressing tomb, a few miles behind the cliffs, where Professor Sayce, a half-century before, had watched the excavation of the tomb, including the discovery of a burned mummy of a man found in the tomb.
With this, we are told about the uncertain future of Egyptology during the middle years of the 20th century, with some success in the author's words about the future of the field. An appendix is offered on the reign of Akhenaten and the basic sources which Mr. Cottrell has used in his book.
All in all, I have, with the one exception, found the book to be a worthy read backed by the author's keen interest in the subject and a list of who's who of the Egyptological elite from his period who have guided Mr. Cottrell into writing a fine presentation on the Lost Pharaohs.
Note:
1) Abdessalam Hussein Effendi-Director of pyramid studies for the Egyptian government (d. 1947)
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