Thursday, March 14, 2013

Address to the Mummy in Belzoni's Exhibition


And thou hast walked about (how strange a story!)
In Thebes' streets three thousand years ago,
When the Memnonium was in all its glory'
And time had not begun to overthrow
Those temples, palaces, and piles stupendous,
Of which the very ruins are tremendous!

Speak! for thou long enough hast acted dummy;
Thou hast a tongue, come, let us hear its tune;
Thou'rt standing on thy legs above ground, mummy!
Revisiting the glimpses of the moon.
Not like thin ghosts or disembodied creatures,
But with thy bones and flesh, and limbs and features

Tell us - for doubtless thou canst recollect -
To whom should we assign the Sphinx's fame?
Was Cheops or Cephrenes architect
Of either pyramid that bears his name?
Is Pompey's pillar really a misnomer?
Had Thebes a hundred gates, as sung by Homer?

Perhaps thou wert a mason, and forbidden
By oath to tell the secret of thy trade,-
Then say, what secret melody was hidden
In Memnon's statue, which at sunrise played?
Perhaps thou wert a priest,- if so, my struggles
Are vain, for priestcraft never owns its juggles.

Perchance that very hand, now pinioned flat,
Has hob-a-nobbed with Pharaoh, glass to glass;
Or dropped a halfpenny in Homer's hat,
Or doffed thine own to let Queen Dido pass,
Or held, by Solomon's own invitation,
A torch at the great Temples dedication.

I need not ask thee if that hand, when armed,
Has any Roman soldier mauled and knuckled,
For thou wert dead, and buried, and embalmed,
Ere Romulos and Remus had been suckled:
Antiquity appears to have begun
Long after thy primeval race was run.

Thou couldst develop, if that withered tongue
Might tell us what those slightest orbs have seen,
How the world looked when it was fresh and young,
And the great deluge still had left it green;
Or was it then so old, that history's pages
Contained no record of its early ages?

Still silent, incommunicative elf !
Art sworn to secrecy? then keeps thy vows;
But prithee tell us something of thyself;
reveal the secrets of thy prison house;
Since in the world of  spirits thou hast slumbered,
What hast thou seen,- what strange adventures numbered?

Since first thy form was in this box extended,
We have, above ground, seen some strange mutations;
The Roman empire has begun and ended,
New worlds have risen, - we have lost old nations,
And countless kings have in dust been humbled,
Whilst not a fragment of thy flesh has crumbled.

Didst thou not hear the pother o'er thy head,
When the great Persian conqueror, Cambyses,
Marched armies o'er thy tomb with thundering tread,
O'erthrew Osiris, Orus, Apis, Isis,
And shook the pyramids with fear and wonder,
When the gigantic Memnon fell asunder?

If the tomb's secrets may not be confessed,
The nature of thy private life unfold:
A heart has throbbed beneath that leatheren breast,
And tears adown that dusky cheek have rolled:
Have children climbed those knees, and kissed that face?
What was thy name and station, age and race?

Statue of flesh, - immortal of the dead!
Imperishable type of evanescence!
Pasthumous man, who quittest thy narrow bed,
And standest undecayed in our presence,
Thou wilt here nothing until the judgment morning,
When the great trump shall thrill thee with its warning.

Why should this worthless tegument endure,
If its undying guest be lost forever?
O' let us keep the soul embalmed and pure
In living virtue, that, when both must sever,
Although corruption may our frame consume,
The immortal spirits in the sky may bloom.

Horace Smith
1779-1849

The Universal Anthology, Edited by Richard Garnett, The Clarke Company Limited, London. 1899

Monday, March 11, 2013

The Goddess and the Opulent King


The funerary temple of the 18th dynasty king Amenhotep III has yielded another group of Sekhmet statues, the goddess of medicine. Amenhotep III ruled during the Epoch of Ancient Egypt's empire and possessed huge resources which he lavished on hundreds, perhaps even thousands, of statues, particularly of himself, the Goddess Sekhmet, and Amenhotep's wife Tiye.

Amenhotep III's badly damaged mummy in the Cairo museum displays severe dental problems, which probably caused great pain to the king, who attempted to placate Sekhmet to relieve him of this pain.

Sunday, March 10, 2013

The Mummy of the Etherdome



In October of 1846, surgeon William T. G. Morton performed the first use of ether in an operation at Massachusetts General Hospital in the hospitals operating theater, now given the name the Etherdome because of this event. In the operating theater was present among artifacts an Egyptian mummy named Padihershef, which had been donated to the hospital in April of 1823, becoming an instant celebrity in a travelling tour that raised money for the hospital.

Since then, Padihershef has been examined several times, including recently when he underwent restoration and further examination. It seems undesirable that the mummy is exhibited in a standing position when he, for his well-being, should probably be lying down.

Padihershef is a late period mummy believed to be one of the earliest intact Egyptian mummies brought to the United States.



Notes:

Photo of Padihershef: Mummy Tombs

Tuesday, March 5, 2013

Pipe Bursts at Boat Museum


On the Giza plateau sits next to the Great Pyramid a museum with one main object, the gigantic solar boat found in a pit next to the pyramid of King Khufu. The 4600-year-old boat was found in its pit, taken apart into 1223 pieces that took many years and several reconstructions by restorer Ahmed Youssef Moustafa before the boat was able to be displayed in its own museum.

Alarming reports are confirmed coming out of Egypt that a sewage pipe has burst in the museum. Likely, the boat remains unharmed, but the incident serves to show a reason why the second boat that is currently being restored for display should be restored and its many pieces placed back into its pit.

Notes:

Photo: Berthold Werner

Related Article: Khufu's Ships Burn